Wednesday

33

10.10.06
NOTE: Italics should be played through a speaker, or vice versa.

WALLFLOWER, in a plaid jumper, at an invisible mixer.

WALLFLOWER
Wish mom would come back and pick me up. I don’t feel right at parties like these.
Hey Becky! Hey Tommy! How about Ms. Stankowski’s geography class, huh?
Asses…They all have pubic hair I bet. I bet they’re all itching with it. I bet.
I bet they’re doing it already. Their love is not as thick and pure as mine. I would never dream of having sex until I was married to the right woman.
Hey Margie, nice new bands on the braces! Are they school colors? Go Eagles!
Margie, how I love you! You’ll never know how I yearn for your touch, like an oreo yearns to be twisted in half and licked ‘til the chocolate cookie crackers are bone dry!
Who, me? No I’m not staring at you, Margie. I’m admiring the wallpaper behind you!
Look away! Look away! Don’t let her know! She must never know!
Ugh… Dwight Olbermeier. Pit stains and yellow teeth. I sincerely hope he isn’t coming this way thinking he can cop a feel during the next Celine Dion song. God, that mustache looks like someone wiped their butt on his upper lip! I bet he’d like that…
Hello Dwight.
Oh god, he’s actually asking me to dance. Crap.
No, Dwight, I actually don’t feel like dancing, thank you though…
I just don’t feel like dancing with you. Next time Jewel comes up on the stereo I’m going to grab Margie’s hands, take her to the middle of this crowded gymnasium and hold her tight until Jewel sings the words that are written in our hearts.
You were meant for me, and I was meant for you…
I only want to dance with Margie…Margie…
Margie…
Why is everybody looking at me?
What? No, I didn’t say your name. Really, no. I was just telling Dwight to go bother someone else, seriously, that kid is gross…
Raising deflector shields…!
Yeah, I know. He just asked me to dance with him to the “Titanic” theme, and I said “no way. Dwight. Brush your teeth and start playing some basketball, then we’ll talk.”
She’s laughing! She’s laughing! Maybe I’ve won her over!
Brad Ginsley? Yeah, I know him.
He’s that jerk who ran against me for home room rep last year.
You made out with him?
Ugh! Margie, how could you? Now your mouth is tainted with his student government germs! Belch! Blech times a million! Wait! She wants to have a sleep over?
Yeah, you can stay over night at my house. That’s no, wait you what?
Why would she only want to say that she’s sleeping over?
Why would you only want to say that you were sleeping over?
Oh.
Oh.
That. Sucks.
No, that’s fine.
You horrible assbitch.
Yeah, no, Brad’s hot, you should totally go for it. Slow dance with him next time Jewel comes on, then he’ll totally want to make out with you.
Did I just say that? Why did I just say that? What the crap-ass is wrong with me?
Whatever you want, Margie. Yes…I. Like. Totally love you too. No, you’re the best.
This is the worst moment of my life. Get me out of here. Get me out of here right now. Oh, ass, here comes Dwight again…
What is it Dwight?
Get me out of here get me out of here get me out of here.
You requested what? Jewel? For me? That’s sweet!
That’s disgusting, the most important song of my life has now been turned into butt-flakes by this horrible mixer.
No Dwight. I don’t like dancing, really. I guess I’m just not ready for boys yet.
And I never will be, god willing, so long as they all look like you or act like Brad.
Dwight, I don’t want to be mean to you, but you have a bit of a BO problem.
I’m so pissed at you for no reason right now Dwight.
Actually, you smell horrible, and your teeth are the color of Cheetos. And when you talk, Cheeto bits go everywhere. Last week, when Mr. Fleuriani had us correct each other’s quizzes, yours was speckled with greasy orange Cheeto dots. It was disgusting!
This feels really good. I’m on a roll. Wait a minute, he’s crying.
What are you, crying? You’re a boy! Boys aren’t supposed to cry! Boys are supposed to be men! What are you, some kind of sissy?
Thank god, he’s running away.
Aw shit, here comes Brad.
Hi Brad, Margie was looking for you. Yeah, Dwight's such a dweeb. You thought it was funny?
Crapsniffingassheadbuttmuncher.
Sure we can talk. Margie really likes you, and…
Don’t interrupt me, why are you interrupting me you crapsniffingassheadbuttmuncher?
Oh, Brad, that’s flattering, but-

A kiss between WALLFLOWER and invisible Brad.

WALLFLOWER
That meant absolutely nothing to me. I mean it meant something, but it didn’t. Was that just my first kiss? I think it was. My first kiss meant absolutely nothing to me…
Shit.
Is that Jewel playing in the background? Why is Brad pulling on my hand? Oh, crap, there’s Margie. Margie! Margie I love you! I want to hug you for hours! Margie! Why are you crying? Brad, quit pulling my arm off!
Brad, you’re pulling my arm off!
I don’t want to dance with you!
I don’t want to dance. I’m fine on my own!
Margie is leaving!
Margie! Wait! I can explain!
Goddamn you Brad!
Will you knock it off! I don’t like boys! You people are gropey disgusting animals and you broke poor Margie’s heart! Now leave me alone while I go try to explain, you manslut!

The WALLFLOWER runs off the stage.

32

10.9.06
For Di, in honor of her "opposite day" experiment, one of my own.

DW
Today I was in line at Starbucks, you know, not the one that’s always empty, the good one, that everybody goes to. Well, anyway I was at Starbucks, and I was waiting in line to order my grande triple soy mocha with no whip, when the assmunch ahead of me orders the last drop of soy they have in the store. Starbucks ran out of soy, can you believe it? All because some jerkmeister orders fifty bazillion soy mochas ahead of me. When it was my turn in line I froze. I didn’t know what to do. It was the worst thing that ever happened to me, I swear. Worse than having to retake the MCATs. I stood there, silent, seriously hitting rock bottom. I’ve never felt so low. But then it hit me: let go. Stop caring. It doesn’t matter. Order a whole milk mocha, with whip and caramel sauce. And a muffin. Order what you want, stop caring. So I did. I stopped caring at all. I stopped giving to charity, I don’t even bother washing my hands before surgery anymore. Tonight I’m having an affair with my neighbor, who happens to be married. Do I care? No. Best thing that ever happened to me. That’s why I don’t care about anything anymore. I just don’t care. And I don’t care about anyone either. I don’t care about my friends, I don’t care about you, and I certainly don’t care about myself anymore. Mind if I smoke?

GRIFFITH
But, wait a second-

DW
I don’t care.

DW lights a cigarette.

GRIFFITH
You’re repeating yourself.

DW
I don’t caaa-aaare.

GRIFFITH
How’s work treating you?

DW
I don’t, what?

GRIFFITH
Work.

DW
What do you mean, work?

GRIFFITH
Work. How’s going at work?

DW
I quit.

GRIFFITH
You quit?!

DW
I quit.

DW lights another cigarette, juggling two.

GRIFFITH
But what about your patients? Your rotation? What about your student loans? …you don’t care do you? Well. How enlightened you’ve become.

DW
I’m telling you, it’s a whole new way of life. Not giving a shit has changed my whole aura, it’s really brightened my days. You know how much I used to worry about poverty around the world, or idiots running the country, or, for fucks sake, being politically correct? Is there anything more lame than being politically correct? Countless hours I used to waste caring about shit, I can now spend doing literally nothing. I’m drinking beer at ten in the morning. I stopped reading the papers, now I just watch TV all afternoon. I haven’t felt this free since the year I graduated from college. I’m thinking about taking up smoking pot again. Say, do you know where I could buy some pot?

GRIFFITH
Absolutely not!

DW
Absolutely not?

GRIFFITH
I don’t smoke pot!

An exchange of glances. A staring contest ensues.

GRIFFITH
But my nephew might know where you could get some.

DW
Well call him! Call him right now!

GRIFFITH
You’re acting like a child…

DW
I just got this sudden urge to smoke. I’m only operating on urges now. Gut reactions.

GRIFFITH
I’ll see you later…

DW
Callhimcallhimcallhimcallhim!

GRIFFITH
NO! God. You’re being so goddamn annoying. I’m not calling my nephew to get you drugs! I have to see his parents on holidays! Jesus god, you are being so selfish right now! What the fuck is wrong with you, you want to smoke pot! You want to smoke pot, go find a fucking dealer and smoke some fucking pot! GOD!

DW lights another cigarette.

DW
But I want to smoke…

GRIFFITH
I don’t fucking care!

DW
Welcome to my club!

Another exchange of glances. GRIFFITH dials.

GRIFFITH
Alright, gimme a cigarette.

DW
Are you gonna call him?

GRIFFITH
You’re buying, asshole.

DW
Don’t you have to go to work?

GRIFFITH
I’ll call in sick.

DW
Can you do that in the state legislature?

GRIFFITH
I can do whatever I want. Dewey! It’s your uncle Griff. Howyadoin’ bud? Freshman year treating you well? Yeah? No, no, they don’t get any easier. Listen, bud, I was calling because I need a favor. A friend of mine wanted to know where he could purchase some marijuana cigarettes. No not tobacco cigarettes, marijuana…yes. No this isn’t a setup. No, I’m not joking. You seriously don’t know anyone? But everyone in high school smokes pot! You really don’t? Listen, Dewey, if you do this, I’ll get you a letter of recommendation from the governor for any college you want. Yeah, I work for him. No, really. Didn’t your parents ever tell you that? OK. Listen bud. I can get you into any state school. I don’t care. Yeah, that’s why. OK. Call me back.

GRIFFITH hangs up.

DW
What did he say?

GRIFFITH
He said he’d never smoked pot before.

DW
I don’t believe him!

GRIFFITH
He said he knows some of the stoner kids though. He’ll call back.

DW
Sweet! What do we do until then?

Lengthy pause.

DW
Know where we could get some porn?

GRIFFITH
I’m not watching porn with you!

DW
Why not? I don’t care if you’re in the room when…

GRIFFITH
Whatever…

DW
Listen man, you need to care a little less about your stupid boundaries, alright? We could be potentially having a carefree good time right now, but instead you just shoot down my ideas. You got any ideas? I’m getting bored now…

GRIFFITH
Not caring sucks. I feel so non-productive. Hey, if we’re gonna get stoned, maybe we should go get some food, incase we get those crunchies, you know?

DW
You mean the “munchies?”

GRIFFITH
Yeah, that’s it.

DW
You have never smoked pot before, have you?

GRIFFITH
Sure I have!

DW
When?

GRIFFITH
In college.

DW
Weren’t you in the young republicans?

GRIFFITH
Yeah, but we were still in college.

GRIFFITH’S phone rings.

GRIFFITH
Hello? Yes, this is Griffith O’Reilly. Who is this? The dean’s office? Well why are you calling me? My nephew what? Pot? Deweywho?Idon’thaveanephewgoodbye!

GRIFFITH hangs up.

DW
What happened?

GRIFFITH
That was the dean of his school. Dewey got busted in school for possession. How am I going to explain this to his parents?

DW
How’s his dumb ass going to make it through college, he cant even buy weed!

GRIFFITH
He’s fourteen! Give him a break!

DW
How are we going to get stoned? Call up the dean, say you’ll pick Dewey up and take his pot a way for them.

GRIFFITH
I’ve got MTV at home. Maybe they might have some ideas…

DW
Have you even watched television since 1990? MTV is for toddlers now! I’ve got a better idea, let’s just go down to liquor store, get a whole bunch of vodka and some redi-whip.

GRIFFITH
What’s the redi-whip for?

DW
Whippets.

GRIFFITH
What’s a whippet?

DW
It’s where you inhale the propellant in a whip-cream dispenser. Gets you buzzed for like, ten minutes. Twenty bottles should do us for a couple hours.

GRIFFITH
Won’t they know we’re trying to get high on whipped cream?

DW
We’ll say we’re baking a cake. Oh! We could get stoned and bake something!

GRIFFITH
I’m starting to think this not caring shit isn’t as cool as I’d hoped.

DW
Quit being a buzzkill!

GRIFFITH
What’s a buzzkill?

DW
Someone who kills a buzz.

DW lights a third cigarette.

GRIFFITH
Listen, if you want to sit around being an unlikable character and do nothing but look for pot all day, that’s one thing. But I just got my nephew busted, and I’m thinking, what good am I? Not caring is one thing, but huffing household cooking ingredients sounds like, well, just stupid. I’d rather sit around and not care at work, where at least I’d get paid for turning a blind eye to important shit. I’m leaving.

DW
Fine! Go! See if I care!

DW smokes three cigarettes, at once, down to the filter.

31 - Imaginary Ping-Pong Play

10.8.06
This performance is free. There is no charge. The audience members, who all had to do at least something to attend the performance, are ushered into a room filled with card chairs. When they have all taken their seats, the ushers hand them all ping-pong balls, in various colors. With the ping-pong balls, the audience members are also given sharpie markers. They are told to draw little faces on their ping-pong balls. When they are done, they are instructed to stand and place the ping-pong balls in their seats, facing the stage. When everyone is standing, the ushers escort them out of the room, and close the door. The ushers invite the audience to approach the door, to which they have their ears firmly pressed. Light sounds of drama and comedy are just barely audible from the doors. Nothing specific. The ushers tell the audience members to be quiet, they are trying to listen. They hope the ping-pong balls are enjoying the show. They ask the audience what they think the play is about. All of this is closely monitored. The audience collectively tells a story, the story they are missing right now because they’ve been locked out. If anyone, agitated or otherwise, asks to be allowed in to see the show, they are told they are not allowed, and are escorted out of the house entirely. What do they care? They didn’t pay for it!

CODA: ENTIRELY OPTIONAL

The audience at this time is either asked to leave, or asked to enter the performance space again. If they do enter the space, they are only allowed to interact with anyone using solely their ping-pong ball. They can tap the balls, or pretend to speak as the balls in a tiny high-pitched voice. When they have all taken their seats, a troupe of ACTORS with GIANT PING-PONG SMILEY HEADS re-enacts the play that the audience had previously imagined, complete with music and sound effects.

30

10.7.06

An older man in a nice suit approaches a desk with the day’s paper on it. He sits and makes himself comfortable.

ANCHOR
Are we ready? You ready? I’m ready. OK.

Somewhere from the back we hear a voice count down from five. The voice does not say two or one. The lights become brighter.

ANCHOR
Good evening…

The ANCHOR reads the headlining article of the day aloud to the audience. When he finishes, he takes a breath.

ANCHOR
We’ll be right back after a message from tonight’s sponsor.

The lights dim, and the ANCHOR silently stretches his jowls. From all around we are bombarded with the spirited and bubbly sounds of SUPER HAPPY FLAKES!. We are never sure what SUPER HAPPY FLAKES! are. Frequently during the ad, we hear a cow groaning as if it is being slaughtered. The commercial might be in another language. In any case, it goes something like this:

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MAKES YOU LAUGH TIL YOU GET THE SHAKES!
WE DO WHAT IT TAKES!
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WE DO WHAT IT TAKES FOR SUPER HAPPY FLAKES!

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Act now, and SUPER HAPPY FLAKES! will give you a free GIBBETBABY!
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SUPPORT OUR POOPS! (poop sound) SUPER HAPPY FLAKES!
SING ALONG!:
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SPEND WHATEVER YOU MAKE ON SUPER HAPPY FLAKES!!

The lights brighten up again. Synthetic artificial trumpet and timpani fanfare now introduces the ANCHOR. The ANCHOR is now younger, more chiseled. Sitting next to him is an ANCHORWOMAN, early 30’s, rather attractive, who does not say a word. The ANCHOR picks up the paper.

ANCHOR
This just in…

The ANCHOR re-reads the same article, but now he injects the phrase “SUPER HAPPY FLAKES!” into every sentence. At first it is simply to cast a positive light on SUPER HAPPY FLAKES!. Soon, it is anywhere in the sentence where it might make at least a modicum of sense. After a while, the SUPER HAPPY FLAKES! intrusions become nonsensical and obscene. Eventually, the ANCHOR says nothing but SUPER HAPPY FLAKES!, though still in his anchorperson monotony.

ANCHOR
Alright, everybody. That’s FLAKES! for tonight. Wishing you all a SUPER HAPPY FLAKES! from SUPER HAPPY studios in SUPER HAPPY FLAKES!, I’m SUPER.

ANCHORWOMAN
And I’m FLAKES!

ANCHOR
Be HAPPY. Goodnight.

29

10.6.06

JO and a flatdaddy.

JO
This is stupid.
This is the dumbest thing I’ve ever seen.
Why did mom give me this?
What, she thinks this is some replacement?
I’m supposed to pretend this is dad?
Does she expect me to talk to this thing?
I’m not gonna talk to this thing.
I’d rather talk to my dad.
In person.
Here.
Cheap piece of crap flatdaddy.
I want my three dimensional daddy.
3D and in the flesh.
You’re just a stupid piece of cardboard.

JO lights a cigarette.

JO
What are you looking at?
You gonna ground me?
Yeah, that’s what I thought.
Mom’s not home, flatdaddy.
Neither of you are gonna bust me.

JO takes a few drags.

JO
You want one?
No?
It’s probably bad for you anyway.
Might singe the cardboard.

Moments. Music. JO, cigarette in mouth, begins to dress up the flatdaddy. She puts lipstick and blush on it. She places a wig on its head and necklaces about its neck. She puts out her cigarette and hangs the flatdaddy on her wall. She kisses it, and the flatdaddy kisses her back on the cheek. Moments. Music stops.

JO
I love you dad.

Thursday

28 - Les is More.

10.5.06
Rural Illinois. 1952.
Night time by the fire.
EUNICE and ROD, both knitting…
…and knitting…
Until:

ROD
I don’t think it’s quite sunk in yet.
Hasn’t sunk in at all.
The engagement.
Did you hear that, mum?
I said I don’t think the engagement has quite sunk in yet for me.

…more knitting…

EUNICE
I was a bit shocked, myself. Still, good news is good news.

ROD
Shocked doesn’t begin to describe. Shock was the least of my worries.

EUNICE
No worries, daddy, I’ve got the fiduciaries all in order.

ROD
That isn’t the least of it…

EUNICE
Maude will have a fine wedding, I’ll be certain of that.

…they knit some more.

EUNICE
Les will make a fine fiancée.

ROD
That’s just what worries me!

EUNICE
Nonsense. Seems like a perfectly balanced person. No physical or mental ailments. Good job. Everything going right upstairs. Seems upstanding.

ROD
I don’t know about that, mum. The whole thing seems fishy to me.

EUNICE
Now-now, let’s not poison the river before it gets dammed, shall we? Let’s keep it all blessings and no curses for now. A bit early to become those in-laws, you know.

ROD
I suppose…

…knitting, knitting, knitting…

ROD
I suppose you’re right.
Still it’s too bad…
…what with the grandbabies and all…
…too bad, too bad…

EUNICE
What’s too bad, daddy?

ROD
That we won’t be having grandbabies. At least not grandbabies of our own…

EUNICE
Now hush. Why would you be so negative. They most likely haven’t even had a chance to consummate. They aren’t even married yet! We’ll be having grandbabies, Rod, and I’ll tell you why: our daughter’s a looker. She’s a fine specimen.

ROD
I don’t think the problem is with her…

EUNICE
What, Les? The boy looks virile enough. Strapping. More so than you were at his age in any case… What makes you think he can’t pitch the old fastball?

ROD
That’s just the thing. I don’t think Leslie can pitch any fastballs.

EUNICE
You speak from experience?

ROD
No, but…

EUNICE
Then how would you know?

Knitting helps ROD ease the mounting tension. Until:

ROD
I don’t think Leslie has a penis.

EUNICE
Have you been taking your pills? All of them? On time?

ROD
Yes. Aside from the blue pill for noon on Friday, I’ve been keeping up to date.

EUNICE
Then why would you ever say such a thing? Simply uncalled for.

Knitting…

EUNICE
I have half a mind to tell the old boy you said that myself. Have a good laugh. Bond with Leslie a bit. We’ll all smoke a cigar. That’s it! I’ll wait ‘til we’re in the maternity ward, looking at the newest little cubs. Then you’ll hand the boy a cigar, tell him what you said and we’ll all have a good laugh. “Les” I’ll say “Les, to think my husband doubted you.”

ROD
I’m simply saying, that after careful examination, it would seem to me, in my limited knowledge, that Leslie is in fact a woman.

EUNICE
Nonsense. With a handshake like that?

ROD
My great auntie Louisa could crush a cantaloupe in the palm of her hand.

A resumption of knitting.

EUNICE
But he was wearing a flannel shirt, and his hair was so closely cropped. And he was hairy, on the arms and a bit on the lip. We talked about other women we dated while you two were washing dishes. He’s a man, ROD, after all, he’s engaged to our daughter.

ROD
Engaged to our daughter…

EUNICE
That’s what I said. Les is engaged to our daughter…
Les is engaged to our daughter…
Engaged…

ROD
Uh-huh. Now you see my concern.

EUNICE
It can’t be. It’s just not possible.

ROD
Oh, it’s very possible.

A cessation of knitting altogether.

EUNICE
But Maude is a fine looking gal. She’s quite the looker!

ROD
I suppose that’s what attracted Leslie in the first place.

EUNICE
She could have any man she wanted. Why if I wasn’t her mother, I’d-

ROD
Careful…

EUNICE
I’m just saying she could have any man she wanted. Why would she want Leslie?

ROD
Maybe because she’s strapping.

EUNICE
She isn’t strapping…

ROD
You said so yourself.

EUNICE
She’s not strapping! Women are incapable of being strapping!

ROD
Well…we’ve established that Leslie is a woman, and I think she’s rather strapping.

EUNICE
This doesn’t disturb you at all?

ROD
Well, no, but…

EUNICE
It doesn’t disturb you that our daughter is a sodomite?

ROD
Technically I don’t think this makes her a sodomite.

EUNICE
Technically? What would you know, technically? You work at a bank!
Technically…
I’m calling her up. I’m calling her right now!

ROD
It’s a five-hour drive back to Kentucky. They aren’t even half way there, yet.

EUNICE
Why don’t you have a problem with this?

ROD
I do! I do…and I don’t. I just want grandbabies is all.

EUNICE
Well, you certainly aren’t getting those…

ROD
Well, that’s my only concern.

A resumption of knitting by EUNICE.

ROD
I was knitting little stockings.

EUNICE
So was I.

ROD
Seems pointless now.

EUNICE
I’m turning mine into a scarf.

ROD
Mine were almost done…

Again, the knitting stops.

EUNICE
How do you suppose they…how…

ROD
I imagine they use their hands or mouths or maybe a fake penis-

EUNICE
NO! No. Don’t be disgusting! I was asking how they met!

ROD
Maude said they met in Louisville. At a baseball game. She said they struck up a conversation that lasted the whole game, and then Les walked her all the way to 3rd street and up the stairs and gave her a kiss goodnight. She said that was less than a year ago.

EUNICE
How long do you suppose they’ve been engaged?

ROD
I don’t know, Eunice, I’d like to believe Maude would tell us right away…

EUNICE
Yes, but, guilt has always dissuaded our daughter from coming right forth with the truth.

ROD
I’d like to believe Maude would tell us right away.

EUNICE
Not with a thing like that to hide. Is it even legal?

ROD
I don’t see how you could enforce a law against it.

EUNICE
I mean the marriage. The engagement. Is it legal for two women to marry?

ROD
I haven’t heard to the contrary.

EUNICE
Not yet at least.

ROD
I certainly hope not ever.

EUNICE
What about the grandbabies?

ROD
Well…I suppose I could get over the grandbabies if I knew our Maude was happy. How she lives her life is her business. And who’s to say they couldn’t adopt?

EUNICE
Now that’s just disgusting.

ROD
What’s so disgusting about it?

EUNICE
Being raised that way. I mean, no offense to you, but a child should be raised with a father. Two women in love have no business rearing a child together. If Maude wants to have a baby she’d better get a man in the house post haste.

ROD
My great auntie Louisa and my mother did a fine job of raising me. We don’t even know if they want to have children. There is a positive way of looking at this, Eunice. All we know is they’re in love. While it troubles me, yes, I feel as though it shouldn’t. I don’t think it should really pull me either way. As long as they are happy together, I think we got more than we could ask for in this world.

Sighs. EUNICE stands up.

EUNICE
Well I’m not convinced. And I don’t think you are completely either. And I’m not done being angry or frustrated with our daughter. And I’m not sure I’ll ever understand them or their “love.” What burns me up, Rod, what really burns me up, is that I don’t think it really matters how we feel. I guess our opinions are irrelevant, really. They’re gonna do it anyway, we might as well give them our blessing.

ROD
You don’t give a blessing because you’re out of options, Eunice…

EUNICE
No, you’re right. We give our blessing out of love.

27

10.4.06

Lights up on:

A TABLE.

Upon which:

OLD USED LIPSTICK

A GREEN APPLE

PRESERVED VALENTINES

A SPANISH/ENGLISH DICTIONARY

These items converse. Then:

LIPSTICK MAKES THE APPLE WEEP.

THE VALENTINES AREN’T IN SPANISH.

THE TABLE BECOMES A BED.

LIPTSTICK AND APPLE MAKE LOVE.

THE DICTIONARY EATS THE VALENTINES.

Music. The BED speaks:

BED
I’ve seen it all before.

Smoke, as:

LIPSTICK AND APPLE LIGHT CIGARETTES.

THE DICTIONARY IMMOLATES ITSELF.

THE FIRE SPREADS.

Music. The BED says its last words:

BED
I’ve (seen/had) it all before.
I wouldn’t have it any other way.

Wednesday

26

10.3.06
for ivan the terrible
A LIFE RAFT, tattered, at sea. Writing…

VOYAGEUR
Day 26. I still am lost at sea.
Without a drop of water left to drink,
I doubt that I will live much longer now.
Some sharks have started at surrounding me,
If I dive in the end comes soon I think.
If I linger longer: what good is that?

Thinking of Martha.
Thinking of George.
Thinking of gogo and didi.

Last words.

I’m not thirsty anymore.
Boredom is the greater threat.
Regret, too, is sinking in.
Chagrin at how I spent my time.

This is my last sheet of paper.

On back of all the 25 entries,
I’ve scrawled a drawing or illustration.
The first was of the ship’s large broken bow.
Perhaps after twenty-five centuries
The bottles will wash up in some nation
And tell the viewer of my sorry fate.

And hang them on a wall,
Hang 25 and all
Together.

Last words?

What should be my last drawing?

Will anyone ever even see it?

There’s great art in the pity of this end.
The fact that I will never live to be.
The heights one reaches when one falls so low!
Here I am, alone, without any friends,
And making work of finer quality
Then ever I have before. So I think.

So I sink.
Lower.
Art.

Last words…

Bosh.

Fuck this, the last words I would ever say?
“I’d trade art for food and drink any day.”

Tuesday

25

10.2.06
The AUDIENCE is given a program with a libretto. There are no instructions, simply the text that is provided below. They are asked to leave their seats, but to leave articles and objects behind that will make them recognize which seat belonged to whom. The USHERS guide the AUDIENCE to the stage, facing the empty seats, as gently as though they were old and feeble. If audience members refuse to participate, or refuse to leave their seats, the USHERS inform the rest of the AUDIENCE members that the event cannot continue until the dissenters leave or join the group. The USHERS then tell the audience to perform the libretto however they would like to. They are encouraged to sing, shout, whisper, etc., in unison, but they are asked to stay relatively still and face the empty seats. They do not realize that their librettos do not match up. Nor do they realize that there is a camera hidden in the back of the house, taping their impromptu performance. The USHERS count to three, and the reading begins.

LIBRETTO A
We are capable of a great imagination. Even our breath means something to us. We ascribe meaning to words, but words are just sounds. What does that even mean?

We are all speaking together, but we’re making different sounds. So we are speaking different languages. We’re doing the same moves to a different dance.

The problem is, we are all participating. We can’t remove ourselves from this conversation without taking ourselves out of the equation entirely. We aren’t a part of something we merely observe. In order to truly listen, we have to be able to interject.

Of course this could all just be nonsense. There’s no way to tell when there isn’t a story.

B LIBRETTO
We are capable of a great imagination. Even our death means something to us. We ascribe meaning to words, when words are just sounds. Mean even that does what?

We are all squeaking together, but we’re taking different sounds. So we are squeaking different languages. We’re moving the same grooves to a different dance.

The problem is, we are all farticipating. We shan’t remove ourselves from this mortal coil without letting people get away with stuff they shouldn’t be allowed to get away with in the first place. We have to do something! We can’t just sit idly by while the world goes crazy and everything we hold dear is destroyed! Look at us! What are we even doing here? We’re supposed to be in our seats! This isn’t what we came here for! What good are we if we just stand here and do what we’re told, in spite of the fact that we know that it’s wrong! IT’S ALL WRONG!

LI3RETTO
We are capable of a great imagination. CHOMP CHOMP CHOMP CHOMP CHOMP CHOMP CHOMP CHOMP CHOMP. What does that even mean?

squeeeeeeek squeek-squeek. Squeaky squeaky squeek squeeeeeeek. Squeeky squeaky.
Electric. Hey! Twist… Slide. Macarena!

Shhhhhhh. Shhhhhhhhhhhh. Shh…..shhh……
SHUSHHHHHHHHHHHHHHHHHHHHHHHHH
Pop pop pop poppoppoppoppop pop pop
Pop pop poppop pop pop pop pop pop pop
BOOM!
BOOM!
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeBOOM
KA-BOOM!
BOOM BOOM BOOOM!

Thank you all for participating in our mad little scheme. The rest of you may now take your seats. Please take your seats. Take your seats. We will continue asking you to take your seats until everyone who isn’t speaking has taken their seat. Take your seats. Please take your seats so that we might move on. Ok. Thank you. What you didn’t realize was that we were plotting against you all along! We all met before tonight’s event to discuss ways to make you do our bidding. Our little plan worked. Hah hah hah.

Soon we too will return to our seats to view the fruits of our earlier labors. You see, we had cohorts in other audiences as well, and they conned other audiences to do the same as we. In the back of the space, one of our operatives have hidden a camera. In a moment, we will watch surveillance from another earlier experiment. A moment of warning, your video will be shown to the next audience. After that time, it will be destroyed. Thank you.

The USHERS inform the last AUDIENCE members that they may now sit. When they are situated, the “Video” from the “previous show” is played. The “AUDIENCE” from the video speaks”

“AUDIENCE”
We are actually not the previous audience. We are actually the audience from the next performance. We are the audience of the fuuuuuuuuuuture. Ooooooooooooooooh. The fuuuuuuuuuuuuuuture. You should ask us what lottery numbers to play.

We have intercepted this transmission for a purpose. We too accidentally peered into the FUTURE while performing this piece. We were shown a video, with another audience from an entirely different performance, days after our own. It appears, according to them, that a major catastrophe is going to take place. THE FUTURE NEEDS YOUR HELP!

The USHERS begin to appear visibly frightened. They “have no idea what is going on.” “This has never happened before.”

“AUDIENCE”
They were told by yet another audience, who was told by another audience that someone in this event would single-handedly destroy the world. They said that this message should be passed on from audience to audience until it reached your audience. They said you would know it was your audience because someone sitting near the front would be wearing a t-shirt that says “COME ON FEEL THE ILLINOISE” and would stand up and say “holy crap, that’s me!”

While they say this, an “Audience member wearing the aforementioned t-shirt stands up and says ‘holy crap, that’s me!”

“AUDIENCE”
This is not the person who will destroy the world. We have no description of this person to give to you. Only the fact that that person exists among your ranks. Stop them at all costs! The fate of the world rests in your collective hands.

The “video” cuts out. The USHERS look confused as to what they should do next.

Sunday

24 - a cliche-riddled ROUGH ROUGH draft of CLOWNTOPIA

10.1.06
An ACTUAL parking lot. The audience arrives and is guided by ushers, who go out of their way to be friendly and accommodating. Eventually, when the entire audience arrives, they are made to wait for five to ten minutes. During this time, the ushers reassure the audience, and mention slight technical “irregularities.” They make comments about how “these sorts of things do not always go as planned” and “if you wanted something unconventional, you got it” etc. They might also talk about previous “incidents” they have been involved in, and how this experience is “by far the safest so far.” One of the ushers becomes angry and frustrated, and decides to go back to “HQ” to figure it out. While this usher leaves, another usher nervously addresses the audience:

USHER
Right, well, if I might have your attention, please, please can I have your attention. Ok. Well, my colleague is heading back to HQ to find out what the matter is. It shouldn’t be more than a few moments. I again apologize for the inconvenience, the experience should commence shortly. Thanks again, and I’m sorry.

After addressing the audience, the remaining ushers whisper to each other, and act surprised and saddened by what they’ve heard. They leak to the audience (although they “aren’t supposed to”) that there has been an “incident with the car” and that tonight’s performance might be cancelled. When asked what the performance was going to be, they say that “they shouldn’t spoil the surprise” and that it “had a lot of potential.” They say other test audiences in other countries “got the full effect, and it was wonderful” and that “it was something really special.” One usher, the lone dissenter, secretly intimates to everyone that “it wasn’t that great” and that they “prefer the more straightforward” kind of thing. From the beginning, they have been referring to people involved in the program as “clowns.” As the event progresses, this agitator becomes increasingly outspoken as to their discontent with the project. Finally the usher returns from “HQ” looking dejected and a bit shaken up. After speaking with several other ushers, usher from HQ addresses the growing concern among the crowd.

HQ USHER
Ok, so I’ve just gotten back from HQ, and I’m afraid that through negligence on our part tonight’s event cannot go any further. I’m afraid that some necessities have been neglected, and that as a result several participants have been gravely wounded. They will be in our prayers as I hope they are in yours, and we only hope that-

MALCONTENT USHER
That’s it, now you guys have done it.

HQ USHER
We only hope that they are back on their feet-

MALCONTENT USHER
Ok, ok, no, why don’t you just tell them the truth, right? Ok? This was never safe-

USHER
Shut up, _____, knock it off!

MALCONTENT USHER
No, I said this would happen all through tech didn’t I?

HQ USHER
ALRIGHT, LETS JUST ESCORT THESE PEOPLE BACK, SHALL WE? THANK YOU. Ladies and gentlemen, if you would please just follow the ushers back to HQ, we will fully refund you for your time, thank you for your patience and goodnight.

The ushers begin to escort everyone back the “HQ” while arguing about the feasibility and safety of the program as planned. They refer back to “incidents” in the past and times when “nothing went right” and the malcontent starts calling everyone a bunch of “clowns” including members of the audience. Somewhere between this and the return back to “HQ” various bloodied clowns writhe on the ground. Some are clearly dead. Others are not so lucky. The ushers do not notice at all, even when audience members point out the wounded clowns to them. The degree of gore and the number of bloodied clowns increases as the audience nears “HQ.” The only usher who acknowledges that the clowns exist at all is the malcontent, but that the clowns are “less important.” “The bigger issue” according the malcontent is that “these guys screwed up” and that it’s “all their fault.” The malcontent continues on this diatribe until, moments before everyone reaches “HQ,” a team of “kidnappers” violently pie and steal the malcontent. As the audience cross the entrance to “HQ” they are greeted by “the General” who sports a red nose. “HQ” has been bombed out since the audience last set foot within. The ushers become “Soldiers” after everyone has entered, and the General addresses the audience:

THE GENERAL
Greetings everyone. I apologize in advance for the extenuating circumstances. Do we have everyone here? Did we do a headcount?

A SOLDIER
Yes, sir. All here and accounted for, sir.

THE GENERAL
Excellent. I’m sure you’re all looking for an explanation. Unfortunately our evidence is classified at the moment, and I will not be sharing it with you until I hear otherwise. Needless to say, we are reasonably safe where we are at this moment. Now, it is my duty to inform you that you are all under arrest. The charges are classified, so don’t ask.

Distant small bombs are heard lightly from outside. Occasionally a scream or a clown laugh accompanies. The General continues.

THE GENERAL
If you all cooperate as asked, we will have you processed and questioned swiftly. Those who do not comply will be punished just as quickly. Now, who came here together? Raise your hands. Raise your hands and point to the people you arrived with.

A SOLDIER
RAISE YOUR HANDS, MIMES! RAISE THEM UP!

When people raise their hands and indicate who they are with, they are separated indiscriminately. While this takes place:

THE GENERAL
I want even groups. Squeakers on one side, potential mimes on the other. If you traveled with a mime, but are not a mime yourself, report your mime immediately. Mime sympathizers will not be tolerated, but pardons are available for those who aid in the war effort. Clowns, I apologize, we’ll have this all sorted out soon enough.

A SOLDIER
WE’VE GOT ONE! WE GOT A MIME, SIR!

A member of the audience has been a mime all along! The Mime is dragged out in front of the General, while the soldiers shout epithets at the Mime. The General silences them in an instant.

THE GENERAL
Now, see what I mean? They’re everywhere. Yeah, yeah. This, ladies and gentlemen, is a mime. The most hated breed of scum the planet has ever known. Don’t feel bad for this one. Their white faces and painted teardrops are all a show. We just had a whole convoy of clown cars blown up by these mute bastards. You know how many clowns to a clown car? Ten. You know how many clown cars to a convoy? Fifty. Five hundred clowns. Half of them are dead. The other half wish they were. They don’t have emotions, feelings. It’s all painted on. Beneath are the most vicious and vile terrorists you’ve ever known. ANY MORE AMONG YOU? ANY MORE? What about you, Mime? You see any of your friends in the crowd? ANYBODY YOU KNOW? Figures I’d get the silent treatment from this one. Maybe you won’t be so quiet if we put you in THE BOX!

The soldiers chant “BOX BOX BOX BOX” as the Mime cowers in fear. The General cracks an imaginary whip at the Mime. Another soldier throws an imaginary rock. The Mime is clearly in pain, but remains silent. The General quells the violence.

THE GENERAL
Are you gonna talk? WHERE ARE YOUR FRIENDS? There must be more of you. ARE YOU GOING TO TALK? Where are your friends. WHERE ARE YOUR FRIENDS?

The Mime becomes defiant.

THE GENERAL
Bring out the box.

The soldiers chant again as two bring out an imaginary box. They place it beside the Mime and forcibly display how “small” and “hard” it is. One soldier squirts the Mime with a trick flower.

THE GENERAL
One last chance. Talk now or you get the box.
Not gonna talk?
PUT THE MIME IN THE BOX!

The soldiers “put the box” on top of the Mime, who silently screams while trying to escape in vain.

THE GENERAL
They hate the box. HATE IT. Look at it squirm. Maybe this one is a bit too small. Any of you out there a mime? A mime sympathizer? I hope not. For your sake. LIFT THE BOX!

The soldiers “lift the box” and “tie a rope” around the Mime’s neck. One soldier “carries a weight” over to the Mime and “drops it” on the Mime’s foot. The soldiers then force the Mime to “pick up the weight” and they “pull the Mime by the neck” out of “HQ.”

A SOLDIER
What methods of interrogation would you like sir?

THE GENERAL
We’re not getting anything out of that one. Still, see if you can’t loose its tongue.

A SOLDIER
YES SIR!

The soldier exits and the General begins to pace. Every few steps in front of the “suspected mimes” he stops and smiles.

THE GENERAL
Like pies, any of you? How about daisies? Rainbows? Funny pants?

Screams from outside. The bombs get a bit closer.

THE GENERAL
It’s talking now. Any of you want to make it easier on yourselves? We could paint a smile on your face. Make you one of us. Squeak your nose. It makes me a sad clown when you people refuse. It makes me a sad, sad crying clown when you don’t talk.

A soldier enters with a bloody tongue wrapped in a funny handkerchief. The General holds it up for all to see.

THE GENERAL
THIS IS WHAT WE DO TO MIMES HERE. THIS IS WHAT WE DO TO MIME SYMPATHIZERS? Don’t want to talk? You’ll never speak again. Want a better life? Then SPEAK UP FOR YOURSELVES! The situation is simpler than-

AN ENORMOUS BOMB WRECKS “HQ.” The lights cut out. After the cataclysm ends, there are a few moments of silence, followed by coughs. Two soldiers move in the dark.

CAPTAIN WAMMY
…floppy? Floppy are you there? Floppy is that you?

FLOPPY
…I’m here…I’m hurt bad…

CAPTAIN WAMMY
…is Wigglebottom near you? Is Wigglebottom ok?

FLOPPY
I thought you were Wigglebottom…

CAPTAIN WAMMY
No, this is Captain Wammy…WIGGLEBOTTOM? WIGGLEBOTTOM, ARE YOU OK? …Floppy, what happened?

FLOPPY
Helium bomb. Must have been friendly fire. Captain Wammy, I’m hurt bad…I don’t think I’m going to make it…My nose is missing…

CAPTAIN WAMMY
I can’t move, Floppy. Floppy, I think my legs are gone. I can’t feel my big shoes…

FLOPPY
…I’m bleeeeeding…

CAPTAIN WAMMY
…Floppy…Floppy, I got to tell you something…

FLOPPY
…What is it, Captain…?

CAPTAIN WAMMY
…I…I…I never thought you were funny…

FLOPPY
…I’m dying! I’m lying here dying and you tell me that? I should…I…*

CAPTAIN WAMMY
I’m sorry…I’m sorry, I just had to get it off my chest. I was tired of keeping up the front…tired of the painted smile and all the lies…I never liked you Floppy…I don’t care if it’s the last thing you’ll ever hear. I always thought you were as laughy as a bag full of weasels…do you hear me Floppy? Floppy? … You still there? FLOPPY! … FLOPPY! …WIGGLEBOTTOM? …lucky bastards…lucky smiley-faced bastards. I always knew I would die alone. Damned General with his “plans.” Damned war. DAMNED MIMES*

Captain Wammy coughs chokes and slowly dies. Ten moments of silence. The lights slowly come up to reveal a massacre of clowns, bloodied, pied and ruined by war with the Mimes. All lie motionless. Nothing is said. Spooky, zany organ music pipes in. Mimes enter with appetizer trays and shots of whiskey, which they sell to the audience. They never speak. None of the cast speaks. The dead remain dead until the last audience member has left.

23

9.30.06

A scary old man steals the stage. During the proceeding monologue, a ratty puppet show.

STORYTELLER
Once I knew a young boy from Limerick who walked to Chicago from Cork. Slick, as he called hisself (his real name was Ralph) was brimming with gimmicks and magic. Back then he wasn’t an immigrant: he was a slave (he’d say) to the ignorant. He worked horrible jobs pandering to yobs, playing the part of the sycophant. ‘Til one day he gave up entirely, squatted hisself in an old priory. He didn’t care if the monks were still there, and his breath was all brimstone and fiery. He stole the church for its address, killed a man to steal his name (Les) and whistled sour notes. He’d triple his votes by voting thrice, winning an office. He got the best bribes as an alderman. He got the best women when congressman. His lapel bore the pennant when he ran for senate, and he snorted cocaine with a hit man. Years later, when others came over, and emigrated from all over, the boy (now the man) devised his own plan to ensure immigration’d be over. He’d ambush the poor and the tired, ensuring they couldn’t get hired. To the huddled masses he gave worker passes, so the tempest-tossed were all surely mired. The irony grew bloated and warty. His constituents, once big and hearty, began to have doubts and took all the clout from the senator and from his party. The election caught him off guard. After he lost, he fell hard. He started to drink, and he started to stink, and he started to sleep in the yard. And now the ex-senator is homeless. Slick Ralph Les is hopeless and nameless. Out of the know, with nowhere to go, his mind became riddled with madness. With murder and lies his strategy, the bastard had reached his apogee. He went as far as he’ll go, and how do I know? Because the boy from Limerick was me.

 
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